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Commun Sci Disord > Volume 19(1); 2014 > Article
성인 치경접근 단모음과 이중모음의 음향학적 특징

초록

배경 및 목적

치경접근음은 일반적으로 습득이 어려운 음성 중 하나로 알려져 있음에도 불구하고 이에 관한 연구는 상대적으로 많지 않다. 특히 치경접근 자음에 비해 치경접근 모음의 연구, 심지어 성인 대상의 연구 중에도 치경접근 모음에 관한 연구는 찾기 어렵다. 이에 본 연구는 특정 음성환경이 치경접근 단모음과 이중모음 산출에 영향을 미치는지, 따라서 조음 습득에 더 용이한 환경을 제공하는 지를 음향학적 분석을 통해 살펴보았다.

방법

서부 캐나다 영어를 모국어로 쓰는 10명의 여성 성인 화자로부터 폐음절 또는 개음절 내 2종류의 치경접근 단모음과 4종류의 치경접근 이중모음을 포함한 36개의 목표단어를 채취하여, 각 모음의 F2, F3 및 모음 길이를 분석하였다.

결과

치경접근 단모음과 이중모음 중 치경접근음 앞에 전설모음이 오는 경우 지속적으로 낮은 F3-F2 패턴을 보인 반면, 후설모음이 오는 경우 상대적으로 경사진 하향 패턴을 보였다. [ɝ] 모음이 [ɚ]에 비해 길이가 긴 것을 제외하면, 강세여부가 다른 두 종류의 치경접근 단모음에서는 뚜렷한 음향학적 차이를 찾아볼 수 없었다. 네 종류의 치경접근 이중모음 또한 뚜렷한 모음길이 차이를 보이지 않았다.

논의 및 결론

여섯 종류 치경접근모음의 음향학적 차이는 특정 음성환경이 보다 더 뚜렷한 음향적 단서를 제공함으로 음성 습득에 보다 용이한 음성 환경을 제공해줄 수 있다는 것을 보여주었다.

Abstract

Objectives:

Rhotic sounds are known to be among the later developed sounds in young children, especially for those with speech sound disorders. Despite this fact, not many studies have examined the characteristics of rhotic vowels. Adults’ productions of rhotic vowels have not been well investigated in spite of a relatively large literature on rhotic consonants. This study examined the acoustic characteristics of rhotic monophthongs and diphthongs to see if certain phonetic contexts require less demanding articulatory movements or are different in vowel duration from other contexts, and thus work as a facilitating context for the acquisition of rhotic vowels.

Methods:

Ten monolingual female adult speakers of Western Canadian English produced 36 target words containing two rhotic monophthongs ([ɝ] and [ɚ]), and four rhotic diphthongs (/ɪ͡ɚ/, /ɛ͡ɚ/, /ɔ͡ɚ/, and /ɑ͡ɚ/) in both open and closed syllables. Acoustic analyses were performed to extract F2 and F3 values across the vowel duration, as well as the duration for each vowel.

Results:

Constantly low F3-F2 values were found for rhotic monophthongs and rhotic diphthongs with front pre-rhotic vowels, but steeper downward movement was found for rhotic diphthongs with back pre-rhotic vowels. Stressed and unstressed rhotic monophthongs showed similar acoustic patterns, except for [ɝ] which was slightly longer than [ɚ]. Across four rhotic diphthongs, no clear durational difference was found.

Conclusion:

Differences in acoustic patterns by phonetic contexts across six different rhotic vowel types suggest that certain phonetic contexts could provide more salient perceptual cues and thus facilitate relatively easier mastery of sounds over others for young children.

English rhotic sounds include the consonant [ɹ] in word-initial singletons as in words red or rock or in word-initial clusters as in words tree or frogs. These types of rhotic sounds are referred as ‘consonantal /r/’ or ‘rhotic consonants’. Other rhotic sounds appear in the syllabic nuclei, in vocalic (vocalic /r/) or postvocalic (postvocalic /r/) position. An /r/ sound in the vocalic position is considered a ‘rhotic monophthong.’ Rhotic monophthongs include [ɝ] (stressed) as in her or bird, and [ɚ] (unstressed) as in tiger or zipper. Because the /r/ sounds in postvocalic position are part of the syllabic nuclei and cannot be separated from the preceding vowel sounds, they are represented as part of a diphthong (following Allen, 1979). ‘Rhotic diphthongs’ have [ɚ] for the second element or offglide, as in ear [ɪ͡ɚ]), air ([ɛ͡ɚ]), or ([ɔ͡ɚ]), or are ([ɑ͡ɚ]).
Acoustic characteristics, as well as articulatory configuration of rhotic sounds, have been studied extensively. The two main articulatory configurations for the production of rhotic sounds include “bunched” (tongue dorsum raised and tongue tip lowered) and “retroflex” (tongue tip raised and tongue dorsum lowered), whose supralaryngeal constrictions are made at three different locations: pharynx (narrowing), palatal vault, and at the lips (e.g., Alwan, Narayanan, & Haker, 1997; Delattre & Freeman, 1968). However, studies have shown that articulatory configurations for the production of the American English phoneme /r/ vary substantially depending on the given phonetic contexts or the speakers (e.g., Delattre & Freeman, 1968; Espy-Wilson & Boyce, 1994). In particular, tongue shapes are known to vary largely. Despite the different articulatory configurations required for the production of rhotic sounds, acoustic cues that mark rhoticity, however, are very stable across different phonetic contexts and speakers (e.g., Boyce & Espy-Wilson, 1997; Delattre & Freeman, 1968; Guenther et al., 1999). Generally, the F3 values of rhotic sounds are below 2,000 Hz (Hagi-wara, 1995) and are often so low that they seem to be merged with F2.
These findings on the articulatory configurations and acoustic characteristics of rhotic sounds are mostly based on rhotic consonants. Some studies have included rhotic vowels, but are often limited to rhotic monophthongs; studies of rhotic diphthongs are scarce. There are a few studies that have examined one or two types of rhotic diphthongs (e.g., McGowan, Nittrouer, & Manning, 2004). However, it is still not well understood whether the rhotic diphthongs, especially different types of rhotic dipthongs, show similar acoustic characteristics to rhotic consonants or rhotic monophthongs.
Understanding the characteristics of rhotic vowels as well as con-sonants is important for a more comprehensive understanding of rhotic sound development in young children. Studies have shown that although both rhotic vowels and consonants are known to be later developed sounds than their non-rhotic counterparts in young children (e.g., Shriberg, 1993; Smit, Hand, Freilinger, Bernthal, & Bird, 1990), rhotic vowels are known to be mastered earlier with fewer errors than rhotic consonants (Smit et al., 1990; Smit, 1993). In addition, while one of the most common error patterns for rhotic consonants is “gliding” to the [w] sound, and to a lesser extent, partial derhoticization or labialization (e.g., Smit, 1993), the pattern of errors for rhotic vowels can vary depending on the phonetic context or pre-rhotic vowel element (Pollock, 2013). This could suggest that although there is a rather consistent acoustic cue for marking rhotic sounds, the way children progress toward adult-like rhotic vowels could vary depending on the phonetic context.
This study investigated the acoustic characteristics of rhotic mo-nophthongs (stressed and unstressed) and four different rhotic diphthongs as produced by ten female adults. F3 values, as well as F2 values, were extracted across the vowel duration to examine changes in formant values over time. The term “vowel duration” in this paper indicates the duration of any pre-rhotic element as well as the rhotic element of each vowel. In addition, slopes of both F3 and F3-F2 were also examined to understand if certain phonetic contexts require more changes in vocal tract configuration than others. Lastly, vowel duration was also investigated across the different target vowels.
Specific research questions included:
Are there differences in vowel duration and acoustic characteristics of female adults’ production of rhotic vowels:
  • 1) By complexity (monophthongs vs. diphthongs);

  • 2) By stress pattern (stressed vs. unstressed);

  • 3) By pre-rhotic vowel element of rhotic diphthongs (front vs. back vowels);

  • 4) By syllable structure (open vs. closed syllables) for both rhotic monophthongs and diphthongs.

METHODS

Participants

Participants included 10 monolingual female adult speakers of Western Canadian English. The age of participants ranged from 20 to 36 years (mean age 26, SD 5.32). All of the participants were born in Western Canada (British Columbia or Alberta) and had spent all or most of their lives in the same region. All reported no history of speech, language, or hearing problems.

Stimuli

Targets included 36 words containing rhotic monophthong /ɝ/ and its unstressed variant [ɚ], and four rhotic diphthongs (/ɪ͡ɚ/, /ɛ͡ɚ/, /ɔ͡ɚ/, and /ɑ͡ɚ/) in both open and closed syllables. The full list of target words is provided in Table 1.

Procedure

The speech samples were collected in a quiet room at the University of Alberta. Target words were elicited using a picture naming task. Participants were asked to spontaneously produce each target word after viewing color pictures presented on a laptop screen. Each target word was produced once for each speaker. Productions were recorded using a Shure WH20 head mounted microphone and a Marantz Professional PMD661 high quality audio recorder at a sampling rate of 44.1 kHz and with 16-bit quantization.

Acoustic analyses

The onset and offset of each target vowel were determined using the acoustic analysis software Praat (version 5.3.16; Boersma & Weenink, 2012). The vowel onset was marked where a systematic waveform and a clear glottal pulse started to appear, and the vowel offset was marked where a systematic waveform and the second formant frequency (F2) started to fade out (Figure 1). Once the vowel boundary was defined, the formant measurements of each vowel were obtained using a custom speech analysis program (Morrison & Nearey, 2011) created in MATLAB version 7.8.0.347 (R2009a). This program gives 8 different formant tracking options for each vowel to be analyzed. Among the options, the first three formant frequencies (F1, F2, and F3) that best represent the actual production were extracted for each 2 ms step over the entire duration of the vowel. Minor mistrackings were then smoothed manually. Val-ues from the first 10 ms were excluded to minimize the coarticulatory effect of word-initial consonants. That is, the onset values were extracted at the 12 ms time point and the offset values at the 12 ms before the last time point. For each token, F3 slope was calculated by dividing the difference between F3 at the 12 ms time point and at the 12 ms before the last time point by the duration of each vowel (subtracting 12 ms from the time point that was 12 ms before the last time point). F3-F2 slope was also calculated using the same formula to examine the rate of change in F3-F2 values. Among the total of 360 tokens (36 words×10 adults) produced, 7 tokens were excluded due to poor sound quality or background noise.

RESULTS

The set of acoustic values of the six target rhotic vowels are provided in Table 2. This includes the average minimum F3, F3, and F3-F2 (Hz) at the vowel onset and offset, and the mean and standard deviation of F3 and F3-F2 slopes for the six target rhotic vowels.
F2 and F3 values over the duration of the vowel are depicted in Figure 2. As can be observed in Figure 2, the F3 of all six rhotic vowels either reached or were very close to the average F3 values of /ɝ/ (1,870 Hz) for female adults reported in Assmann & Katz (2000), confirming low F3 values of rhotic vowels. Both stressed and unstressed rhotic monophthongs had stable F3 values across the vowel duration, while those of rhotic diphthongs had relatively clear F3 downward movements in both open and closed syllables. Rhotic diphthongs with front pre-rhotic vowels (/ɪ͡ɚ/ and /ɛ͡ɚ/) had steeper downward movement (mean F3 slope /ɪ͡ɚ/, -3.69; /ɛ͡ɚ/, -2.29) than those with back pre-rhotic vowels (/ɔ͡ɚ/, -1.81; /ɑ͡ɚ/, -1.29). As confirmed by one-way ANOVA, F3 slopes differed significantly by rhotic vowel type (F(5, 347)=32.59, p<.05), and a Tukey HSD post-hoc test showed that F3 slopes of each rhotic vowel differed significantly from each other, except for the [ɚ]-[ɝ], /ɔ͡ɚ/- /ɑ͡ɚ/, and /ɛ͡ɚ/- /ɔ͡ɚ/ pairs. Between open and closed syllables, a Welch two-sample t-test showed that F3 slopes differed significantly by syllable structure in all rhotic vowels except for /ɔ͡ɚ/. The output is summarized in Table 3.
Figure 3 shows the value of F3-F2 across the duration of the vo-wel. The F3-F2 values of the two rhotic diphthongs with front pre-rhotic vowels, /ɪ͡ɚ/ and /ɛ͡ɚ/, showed constant low F3-F2 values across the full vowel duration, similar to those of the rhotic mono-phthongs. This contrasting pattern between F3 and F3-F2 patterns of /ɪ͡ɚ/ and /ɛ͡ɚ/ is due to the pattern of F2, which shows a similar downward shape as F3, thus resulting in constant low values for F3-F2. In contrast, F3-F2 values of rhotic diphthongs with back pre-rhotic vowels, /ɔ͡ɚ/, and /ɑ͡ɚ/, had relatively steep F3 downward movement (slope of /ɔ͡ɚ/, 3.98; /ɑ͡ɚ/, -2.28), which did not reach the average F3-F2 values of /ɝ/ (362 Hz) from Assmann & Katz (2000) until the end of the vowel duration. The diphthong /ɔ͡ɚ/ showed the steepest movement, where the difference between the average onset (1,265 Hz) and offset (378 Hz) F3-F2 value was as big as 887 Hz.
Although the two rhotic diphthongs with front pre-rhotic sounds had similar patterns of F3-F2 movements and F3-F2 slopes as the rhotic monophthongs, the F3-F2 slopes of /ɪ͡ɚ/ and /ɛ͡ɚ/ were slightly steeper than those of the monophthongs. In addition, /ɪ͡ɚ/ and /ɛ͡ɚ/ were longer in duration than rhotic monophthongs. That is, as expected, rhotic diphthongs were in general longer than monophthongs. Between the two types of rhotic monophthongs, [ɚ] (unstressed) was significantly shorter than its stressed counterpart [ɝ]. However, the duration of vowels in closed syllables was influenced by the voicing of the final consonants, which usually yield longer vowels than those followed by voiceless word final consonants, as shown in Table 4. The mean and standard deviation of vowel duration for each rhotic vowel in both open and closed syllables are summarized in Table 4.
In summary, it was found that the characteristics of rhotic vowels differ by phonetic context: by complexity (monophthongs vs. diphthongs), stress pattern (stressed vs. unstressed), pre-rhotic vowel element of rhotic diphthongs (front vs. back vowels), and by syllable structure (open vs. closed syllables). Rhotic monophthongs showed more stable F3 slopes than rhotic diphthongs and were significantly shorter in duration than rhotic diphthongs. For the two rhotic monophthongs that differed in stress pattern, stressed [ɝ] was significantly longer than unstressed [ɚ], although no significant difference in their F3 slope pattern was found. Rhotic diphthongs with front pre-rhotic vowel elements were significantly longer in duration and had significantly steeper F3 slope than those with back pre-rhotic vowel elements.

CONCLUSION

This study examined the acoustic characteristics of rhotic vowels produced by ten female adults. The acoustic characteristics of six different target rhotic vowels were compared to each other by complexity (monophthongs vs. diphthongs), by stress pattern ([ɝ] vs. [ɚ]), by pre-rhotic vowels (front vs. back), and by syllable structure (open vs. closed).
The analysis of F3-F2 movement patterns revealed constantly low F3-F2 values for rhotic monophthongs and rhotic diphthongs with front pre-rhotic vowels. Rhotic diphthongs with back pre-rhotic vowels, on the other hand, showed a steeper downward movement. No clear difference in F3-F2 slope was found between rhotic monophthongs and rhotic diphthongs with front pre-rhotic vowels, although /ɪ͡ɚ/ and /ɛ͡ɚ/ had slightly steeper slopes than those of rhotic monophthongs. Given that the smaller distance between F2 and F3 is the main cue for rhoticity, this pattern could suggest that rhotic monophthongs and rhotic diphthongs with front pre-rhotic vowels could have more perceptually salient cues for rhoticity than those with back pre-rhotic vowels, especially /ɔ͡ɚ/, which had the steepest downward movement. That is, rhotic diphthongs with back pre-rhotic vowels could be more challenging for young children to master than rhotic monophthongs or rhotic diphthongs with front pre-rhotic vowels, since the acoustic cue for rhoticity could not be achieved until the end of the vowel.
No clear difference in F3-F2 or F3 slope was found between stres-sed and unstressed rhotic monophthongs. The only apparent difference between the two vowels was the duration, with [ɝ] being longer than [ɚ]. This could mean that for the development of rhotic monophthongs, once young children get the target F3 (low F3 value), having the right durational difference between [ɝ] and [ɚ] is important for having adult-like production of [ɝ] and [ɚ].
Although further analysis with a larger data set could be more informative, we can offer some initial observations about the effect of phonetic context on the production of rhotic vowels. For example, the results of this study suggest that rhotic vowels in certain phonetic contexts could be easier to produce than those in other contexts that require steeper formant movement (thus, rapid chan-ges in vocal tract configuration) or are shorter in duration. This information could be particularly informative in understanding rhotic vowel development in young children, especially children with speech sound disorders, who usually experience difficulty in producing rhotic sounds. Given that rhotic sounds are among the most challenging sounds for children to master, information on facilitating phonetic contexts could be useful in selecting specific rhotic vowels to be targeted first in intervention. In addition, second language learners of English, especially those whose native language does not have English-like /r/ phonemes (e.g., Korean), could use this information to target their rhotic vowel productions. Lastly, these systematic analyses of different rhotic vowels could serve as reference data for understanding children’s production of rhotic vowels. Further research will be carried out to evaluate the characteristics and development of rhotic vowels in young children.

Figure 1.
Praat measurements of the onset (upper) and offset (bottom) of the rhotic vowel /ɪ͡ɚ/ as in beard.
csd-19-1-113-11f1.gif
Figure 2.
F2 and F3 (Hz) spectral movement patterns of six rhotic vowels (strR=/ɝ/, unstrR=/ɚ/, IR=/ɪ͡ɚ/, ER=/ɛ͡ɚ/, OR=/ɔ͡ɚ/, aR=/ɑ͡ɚ/) produced by 10 female adults (rhotic vowels [A] in open syllable and [B] in closed syllable). Black dotted line represents F3 and grey solid line represents F2 patterns. The thick solid black line represents the average F3 value (1,870 Hz) of /ɝ/ reported in Assmann & Katz (2000).
csd-19-1-113-11f2.gif
Figure 3.
F3-F2 (Hz) spectral movement patterns of six rhotic vowels (strR=/ɝ/, unstrR=/ɚ/, IR=/ɪ͡ɚ/, ER=/ɛ͡ɚ/, OR=/ɔ͡ɚ/, aR=/ɑ͡ɚ/) produced by 10 female adults. Each black dotted line represents each production of rhotic vowels. The thick solid black line represents the average F3-F2 value (362 Hz) of /ɝ/ reported in Assmann & Katz (2000).
csd-19-1-113-11f3.gif
Table 1.
List of target words
Open syllable Closed syllable
Monophthongs ɝ her, fur, stir bird, purse, shirt
ɚ tiger, zipper, feather scissors, crackers, whispered
Diphthongs ɪ͡ɚ ear, deer, hear ears, beard, tears
ɛ͡ɚ hair, chair, bear stairs, scared, theirs
ɔ͡ɚ four, door, store horse, fork, short
ɑ͡ɚ car, star, jar heart, hard, shark
Table 2.
Average minimum F3, F3 and F3-F2 (Hz) at the vowel onset and offset, and means and standard deviations (in parenthesis) of F3 and F3-F2 slopes for the six target rhotic vowels
Monophthongs
Diphthongs
ɝ ɚ ɪ͡ɚ ɛ͡ɚ ɔ͡ɚ ɑ͡ɚ
minF3 1,787 1,925 1,982 1,963 1,832 1,856
F3 onset 2,127 2,375 3,402 2,950 2,521 2,437
F3 offset 2,144 2,419 2,335 2,308 2,104 2,101
F3-F2 onset 498 595 707 655 1,265 889
F3-F2 offset 344 505 441 436 378 347
F3 slope .19 (1.59) .22 (2.96) -3.69 (1.64) -2.29 (1.47) -1.81 (1.88) -1.29 (1.21)
F3-F2 slope -.63 (1.11) -.55 (2.61) -.90 (1.45) -.75 (1.04) -3.98 (2.62) -2.28 (1.31)
Table 3.
Output of the Welch two-sample t-test for F3 slope by syllable structure (open vs. closed syllable) for each rhotic vowel
ɝ ɚ ɪ͡ɚ ɛ͡ɚ ɔ͡ɚ ɑ͡ɚ
t-value -4.171 -4.4377 -3.8117 -2.2863 0.1387 -2.9517
df 58 57 55 56 57 57
p-value .0001 4.216e-05 .0003 .0260 .8902 .0046
Table 4.
Means and standard deviations (in parenthesis) of vowel duration (ms) of six rhotic vowels in both open and closed syllables
Monophthongs
Diphthongs
ɝ ɚ ɪ͡ɚ ɛ͡ɚ ɔ͡ɚ ɑ͡ɚ
Open syllable 259.89 (62.57) 172.60 (46.62) 301.68 (60.98) 301.04 (59.88) 312.69 (82.18) 310.13 (68.33)
Closed syllable
 Voiced coda 249.26 (66.96) 192.55 (28.27) 302.56 (52.91) 305.42 (50.63) NAa 224.74 (30.43)
 Voiceless coda 139.06 (25.38) Nab NAb NAb 168.98 (34.48) 158.06 (30.36)

a All of the target words for [ɔ͡ɚ] were followed by voiceless consonants.

b All of the target words for [ɚ], [ɪ͡ɚ], and [ɛ͡ɚ] were followed by voiced consonants.

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